Life is a Great Big Canvas

When I was newly married to Andy, I noticed some old framed prints in my inlaws' house. They were fantasy scenes with still-vivid blues, and neo-classical maidens in flowing white gowns. These belonged to my brother in law, Brad, and from him I discovered the art of Maxfield Parrish, and I have been a devoted follower of this artist-illustrator ever since. Maxfield Parrish was born in 1870 as Frederick Parrish, in Philadelphia, Pennsylvania, but later adopted his mother's maiden name and used it as his first name. His father was a painter and etcher. He discovered his passion for creating art early in life, and trained at the Pennsylvania Academy of the Fine Arts and Drexel Institute of Art. At the age of 27, his career was launched with the illustration of a book by Kenneth Grahame, The Walls Were As of Jasper. From there, he went on to illustrate many books, advertisements, and magazine covers, including Hearst's, Collier's, and Life, as well as to paint mu...

 I used to joke that I had the shape of a fertility goddess. Sometimes people would understand and laugh, sometimes people would give me a funny look and scratch their head in confusion. They had no idea what I meant. If you are one who doesn't know what this means, that's okay; let me introduce you to the Venus of Willendorf, a very early piece of art. The Venus of Willendorf is a small nude sculpture of a very ample woman with exaggerated sexuality. She is 4.4” high and made of limestone. She was discovered in 1908 during an archaeological dig near Willendorf, Austria, and now resides at the Naturohistorisches Museum in Vienna, Austria. This statue is believed to be one of the earliest pieces of art, and one of the earliest nude women in art. Scientists date her at 28,000 BC to 25,000 BC, during the Paleolithic, or Old Stone Age, through a study of the stratigraphic sequence of the area. The oolitic limestone used for her carving is not local to the area w...